![]() ![]() ![]() Here are just a few other ways multicam can make your single camera interviews more efficient. For a single camera interview with separate audio, using Multicam is a better choice than Synchronized Clips because of the parent child relationships. Because color correction and audio effects will flow to every instance of your Multicam Clip, that means the 100 edits you made to shape that interview will all have your changes. Multicam is a must when pulling together multiple cameras in an edit, but it is also the best choice for interviews with just one camera. Make single camera interviews more efficient Duplicating as a Snapshot freezes all reference clips in the project, duplicates them in the timeline, and then shows the duplicated versions in the browser whenever you modify a parent clip, or reveal them in the browser with Shift-F. Note: The Parent-Child relationships of Multicam and Compound Clips are why FCP X has the option to Duplicate Project as Snapshot. Changes made to the “Parent” Multicam Clip will ripple through to every “Child” instance of the clip in your timeline. Once you get your head around this concept and how to take advantage of it, it will save you an amazing amount of time in your edits. Adjust the color once, and you’ll see it reflected every time you use that angle in your edit. One of the best uses is applying color correction, or audio sweetening the cameras in your multicam inside the angle editor, rather than in the timeline. Open and make a change to any Compound Clip or Multicam Clip (the parent) and that change will be reflected every time the clip is used (the child).Īrmed with this knowledge you can probably already imagine some uses for parent-child relationships in Multicam Clips. Compound Clips give you a reusable container with the capabilities of a Project timeline, while Multicam Clips lets you take your pick of multiple synchronized video and audio sources. Each time you use a clip or a portion of a clip, it is a “child” which references a “parent” in a Library. In Final Cut Pro X Multicam Clips and Compound Clips are a special kind of clip. ![]() Color adjustments are best made on the clips in an angle of a FCP X Multicam Clip so they will appear everywhere the Multicam Clip is used. Unlock batch color correction and audio adjustments. If you’re new to Multicam I would recommend checking out the overview of Multicam in the FCP X user guide, which you can read here.Ĭlick images to enlarge. I’m assuming you know the basics of creating and editing Multicam in Final Cut Pro X. In this first article in the series, Make the Most of FCP X, I’ll show you some uses of Multicam Clips that go beyond the basics that will help make your editing and finishing tasks faster and more efficient. Yet it’s powerful enough to manage nearly unlimited video and audio angles. However, if you have used FCP X Multicam to just switch cameras, then you’ve only scratched the surface. Its simplicity allows any editor to sync and setup a multiple camera job with ease. Multicam in Final Cut Pro X is an amazing feature. ![]()
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